So where do we go from here?

The last time I posted we were waist deep in the most intensive shoot we’ve ever done. Over the course of 22 days, we shot Loss For Words in its entirety. We didn’t sleep. We burned through tapes and cash, often filming in weather so cold that even our cameras protested.

But we kept rolling, and Gary, sporting a homeless-class beard, long unkempt hair and a gray sweatsuit, kept hammering away on Grady Sullivan’s typewriter.

Four weeks later, we wrapped our third feature.

In the end

The footage is good. The performances are phenomenal, the cinematography is bold, and the scenes edited thus far raise the bar far above and beyond what we did with Salad Daze.

More Recent Posts

• Filming in a real world
• Pre-Production: Once More Into the Breach
• Shoestring Part 2: What went wrong
• Shoestring Part 1: How we (almost) revolutionized the way independent films are distributed